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Posts tagged ‘#rightbrain’

Translating Landscape

A creative adventure; a new class via on-line. So great to teach landscape (design) drawing + painting and to reach out to many. Take a look at the preview + sign up.

Warmly, Anita

https://www.carlasonheim.com/online-classes/translating-landscape/

The landscape is a gentle way of exploring the elements that are integral to making meaningful work: line, value, color, shape, edges, composition.

In this 6-lesson class, we will use our study of landscape to work at finding our unique mark, learning and reinforcing design concepts, drawing with intent, and simplifying.

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depictive to the evocative; let’s talk

One of my purposes in studying drawing in Civita in 2013 was to further my teaching in the subject of abstract and begin to develop methods to understand this expressive side.Abstract drawing is the practice in which one represents their work using emotive powers, allowing the artist to fall into a meditative zone, representing ideas of the ‘unseen.’

These studies show this transitional process, from the representational works to the abstract; tools are developed to further this creative process. 

This is how I break it down: Representational (depictive) works: drawing what you see. Abstract (evocative) works: drawing what you don’t see; aspects of design, feelings and emotions.

So began the investigation of ‘crossing over’ to the abstract.

I start with naming my work which conjures feelings and new emotions about the subject.In the representational exercise, I use tools to describe the subject with line, texture, value, edges, shape, color; those I see within the subject. Then, in the abstract exercise,  I delve further into design notions and their relationships. I investigate and probe design/felt concepts of movement, dominance, unity, variety, composition; those unseen within the subject.

These studies and design tools aided me in the first steps of ‘crossing over’ to the evocative; mark-making about a place and time, aspects purely felt on a given subject.

 

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romeapartment copy 1To fully embrace the Renaissance wisdom, that to draw something is to fully understand it.

Realize drawing connects us to our experience, with an intimacy not otherwise possible.

Experience the inherent intimacy with drawing, because the materials are limited. One simply holds a pencil in one’s hand. The artist’s touch is elemental and we are able to see how much an artist can do with a pencil and how distinctive each artist’s language of mark making can be.

Learn about the ‘power of a place’ through drawing.

Join me in Civita this Fall.

https://anitahlehmannteacher.com/civita-workshop/

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into the wilderness: France

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It is a land of geese, foie gras and good cuisine.

An amazing opportunity in April came my way; so lucky to be with 5 talented women studying the expressive landscapes of southern France in the region of Gers; a beautiful property nearby Castera Verduzan. Gers is in the southwest region of France, north of the Pyrenees, a picturesque farmland with vineyards + destination to fine Armagnac red and white wines. Gers is the homeland of D’Artagnan and also the Musketeers; its land has changed little since the Middle Ages, full of rugged castles, abbeys, and bastides, as well as Renaissance Art of Auch’s great cathedral. In Gascony, Gers also has traces of the “Hundred Years War” of 1337.

Step into the studio.

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Step into the landscape.

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Step into your work.

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+ Step into the wilderness:

“There will be times when standing alone feels too hard, too scary, and we will doubt our ability to make our way through uncertainty. Someone,somewhere, will say, ‘Don’t do it. You don’t have what it takes to survive the wilderness.’ This is when you reach deep into your heart and remind yourself, ‘I am the wilderness.’ “ (Brene Brown)

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2018 Workshop + Classes

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about faces

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Reviving old lessons about portrait drawings; soon to teach in Skykomish, WA. 

Thinking about that right brain process. Thanks Betty Edwards and Alex Powers.

I will post images from the workshop.

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